"Walter Benjamin and the Dispersion of Cinema"
R.L. RUTSKY
"Boundaries in Beloved"
J. HILLIS MILLER
"The White Screen circa 1900—On the Moving Image as Potentiality of Thought"
PASI VÄLIAHO
"The Divided Self and the Dark City: Film Noir and Liminality"
R. BARTON PALMER
"Bordersploitation: Hollywood Border Crossers and Buddy Cops"
CAMILLA FOJAS
"Border Incidence"
TOM CONLEY
"Satire as Magnifying Glass: Crossing the US Border in Bruce McDonald's Highway 61"
PAUL McEWAN
"Leaving Home in Three Films by Walter Salles"
DARLENE J. SADLIER
"Roads to Nowhere: Borders and Belonging in Le Salaire de la Peur"
CLAUDIA BARBOSA NOGUEIRA
"Gendered Border Crossings: The Films of Division in Divded Germany"
MARK A. WOLFGRAM
"Affirmation of the Lost Object: Peppermint Candy and the End of Progress"
TODD McGOWAN
"Romancing the Tao: How Ang Lee Globalized Ancient Chinese Wisdom"
HORACE L. FAIRLAMB
"Death Star, or How I Learned to Stop Worrying and Love Globalization"
DARREN JORGENSEN
"The Question of Community in Deleuze and Guattari (II): After Friendship"
IRVING GOH
"Zoöphilpsychosis: Why Animals Are What's Wrong with Sentimentality"
TOBIAS MENELY
"The Nightmare of Health: Metaphysics and Ethics in the Signification of Disability"
SCOTT DESHONG
"Melancholic Loss: Reading Bedouin Women's Elegiac Poetry"
MONEERA AL-GHADEER
"Frames and Mirrors in Marjane Satrapi's Persepolis"
BABAK ELAHI
"Edward W. Said's Legacy"
WILLIAM V. SPANOS
"Comparative Literature without Borders: A Decennial Taking of Stock"
JARRY A. VARSAVA
"Bending Back and Breaking"
DINDA L. GORLÉE
"American Adorno?"
STEVEN HELMLING
"The Liberal Liberal Arts"
SHARON O'DAIR
"The Disease of Images"
AIDAN TYNAN