Clares in Procession: The Processional and Hours of the Franciscan Minoresses at Aldgate
Anne Bagnall Yardley
Bernstein, Homophobia, Historiography
Nadine Hubbs
Theorizing Gender, Culture, and Music: "Queer Vibrations"
What's Queer about Musicology Now?
Rachel Lewis
Amor nello specchio (1622): Mirroring, Masturbation, and Same-Sex Love
Emily Wilbourne
"Do You Nomi?": Klaus Nomi and the Politics of (Non)identification
Žarko Cvejic
The Erotics of an Oil Drum: Queercore, Gay Macho, and the Defiant Sexuality of Extra Fancy's Sinnerman
Kevin Schwandt
Reviews
Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music, edited by Ray Allen and Ellie M. Hisama
Beverley Diamond
Boccherini's Body: An Essay in Carnal Musicology, by Elisabeth Le Guin
Kelly Savage
Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Italian Opera, by Naomi André
Stephanie Jensen-Moulton
Women Composers and Music Technology in the United States: Crossing the Line, by Elizabeth Hinkle-Turner
Elizabeth Keathley
O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage, by Amanda Eubanks Winkler
Megan McFadden
Bay Area Women in Creative Music (http://music.mills.edu/bawcm/). Web site maintained by Mills College, Oakland, CA
Gascia Ouzounian
Queering the Popular Pitch, edited by Sheila Whiteley and Jennifer Rycenga
Dana Baitz
Contributors
