Women & Music
Volume 15, 2011
Listening for Willie Mae "Big Mama" Thornton's Voice: The Sound of Race and Gender Transgressions in Rock and Roll
Maureen Mahon
The Touch of the Violin, the Coldness of the Bell: Synaesthesia, Mimesis, and the Unlocking of Traumatic Memory in Bunita Marcus's The Rugmaker and Andra McCartney's Learning to Walk
Jenny Olivia Johnson
Trauma and Recovery in Germaine Tailleferre's Six chansons françaises (1929)
Kiri L. Heel
Theorizing Gender, Culture, and Music
An Antidote to Metaphysics: Adriana Cavarero's Vocal Philosophy
Ryan Dohoney
Review
Girl Groups on Girl Groups; or, Why Girl Singers (Still) Matter
Sheila Whiteley
Contributors