Women and Music 19:1

Women and Music 19:1

Edited by Ellie M. Hisama

Table Of Contents

Special Issue in Honor of Suzanne G. Cusick
Guest Edited by Emily Wilbourne

On a Lesbian Relationship with Musicology: Suzanne G. Cusick, Sound Effects
Emily Wilbourne

One Eyebrow Raised: A Recipe for Movement and Sound
Tomie Hahn

Where Is the Jazz in Jazzercise?
Sherrie Tucker

“I Am Not Sure We Should Have a Woman in the Position”: Hiring Practices in the Mid-Twentieth-Century American Academy
Judy Tsou

Voce Bianca: Purity and Whiteness in British Early Music Vocality
Melanie L. Marshall

Singers Behaving Badly: Rivalry, Vengeance, and the Singers of Cardinal Antonio Barberini
Amy Brosius

Stage Sisters: Gemma Bellincioni’s Violetta and Eleonora Duse’s Margherita
Annamaria Cecconi

The Rock and Roll Blues: Gender, Race, and Genre in the Songwriting Career of Rose Marie McCoy
Maureen Mahon

“Jolene,” Genre, and the Everyday Homoerotics of Country Music: Dolly Parton’s Loving Address of the Other Woman
Nadine Hubbs

National Mothers: Singing a Queer Family Romance for the New South Africa
Nicol Hammond

Doin’ Time with Meg and Cris, Thirty Years Later: The Queer Temporality of Pseudonostalgia
Tes Slominski

“The Young Ladies Are Here”: Marshallese Transgender Performance and Processes of Transformation
Jessica A. Schwartz

Asking for It: Rape, Postfeminism, and Alternative Music in the 1990s
Elizabeth K. Keenan

Why We Matter
Bonnie Gordon

Rethinking the Intimacy of Voice and Ear: Psychoanalysis and Genital Massage as Treatments for Hysteria
Clara Hunter Latham

The Sounds That Know: Synaesthesia, Sexual Trauma, and a Musicological Confession
Jenny Olivia Johnson

Echo’s Echo: Subjectivity in Vibrational Ontology
Ryan Dohoney

Loud but Non-lethal: Acoustic Stagings and State-Sponsored Violence
María Edurne Zuazu

Down with Disembodiment; or, Musicology and the Material Turn
Holly Watkins and Melina Esse

Her-Storiography: Pierre Bourdieu, Cultural Capital, and Changing the Narrative Paradigm
Kimberly Francis

Ethnomusicology without Erotics
Deborah Wong

The Arts of the Prima Donna in the Long Nineteenth Century, edited by Rachel Cowgill and Hilary Poriss
Julia Grella O’Connell

Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen, by Sherrie Tucker
Yoko Suzuki

Music and the Skillful Listener: American Women Compose the Natural World, by Denise Von Glahn
Rachel Lumsden

DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music, edited by Bernardo Attias, Anna Gavanas, and Hillegonda Rietveld
Eva J. Egolf