Contents
Olfactory Art, Transcorporeality, and the Museum Environment
Hsuan Hsu
Below Ground and Foreground: Wyoming Coal, the Mountain Pine Beetle, and the Removal of Chris Drury’s Carbon Sink
Michaela Rife
Planting Out after Blithedale: Transcendental Agrarianism and Ecocritical Economy
Sam Horrocks
Breaking Down What Matters: Welcome to COMpostINGS
Michaela Castellanos
Brutal Visions: Mimicry, Biosemiotics, and the Animal-Human Binary in Thomas Belt’s The Naturalist in Nicaragua
Will Abberley
The Mountain and the Wolf: Aldo Leopold’s Uexküllian Influence
Jonathan Beever
Canadian Forum on Bruno Latour’s An Inquiry into Modes of Existence
Cheryl Lousley and Stephanie Posthumus
Thinking about Latour and AIME’s Common World
Guillaume Blanc
Taking AIME at Face Value: An ANT-like Crawl through the Digital Project
Susan Brown
Maestro Latour
Brett Buchanan
“One Must Not Forget This Diplomatic Negotiation”
Adrian Ivakhiv
Confessions of a Print Modern (on Bruno Latour’s AIME)
Cheryl Lousley
Reader-Player-User: Engaging Bruno Latour’s AIME Project
Stephanie Posthumus
Building Languages, Building Worlds: An Interview with Jessica Sams
Megan Condis
Reviews
Steve Mentz, Shipwreck Modernity: Ecologies of Globalization 1550–1719
Alison E. Glassie
Steven Vogel, Thinking Like a Mall: Environmental Philosophy after the End of Nature
Joshua Mousie
George Monbiot, Feral: Rewilding the Land, the Sea, and Human Life
Gordon M. Sayre
