Women and Music 22:1

Women and Music 22:1

Edited by Emily Wilbourne

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Table Of Contents

Volume 22 (2018)
Special Issue: Race-ing Queer Music
Contents


Racing Ahead: Race-ing Queer Music Scholarship
Hedy Law

“You Are My Dwelling Place”: Experiencing Black Male Vocalists’ Worship as Aural Eroticism and Autoeroticism in Gospel Performance
Alisha Lola Jones

We Lived in the Gaps between the Stories
Alannah Marie Halay

The J/Jota in Jenni Rivera
Deborah R. Vargas

Ligeia for Solo Flute (with Glissando Headjoint)
Amanda Bono

Sung and Spoken Puns as Queer “Home Making” in Toronto’s Chinese Diaspora
Yun Emily Wang

The New “Queer” and the Old Racism
Elías Krell

Freedom Bridge (Extracts)
Susannah Self

Let’s Flip It! Quare Emancipations: Black Queer Traditions, Afrofuturisms, Janelle Monáe to Labelle
Gayle Murchison

The Ambivalent Erotics of Hot Pants: Peter de Rome and the Soundtrack of Liberation
Kyle C. Kaplan

Anti-Matik: Solo/duo for bajoncillo and (female) body
Melodie Michel

The Blacks, the Jews, and the Gays: Bette Midler’s Third-Order Vaudeville
Mitchell Morris

Willmer Broadnax, Midcentury Gospel, and Black Trans/Masculinities
Stephan Pennington

“Tempsiabo”
Sonia Megías

Lessons from Archives and Public History for the Race-ing of Queer Music Scholarship
Eric Hung

Kasahara and Iwaasa in Conversation
Teiya Kasahara and Rachel Kiyo Iwaasa, edited by Rebecca Wiegand Coale

Reviews
Creating Carmen Miranda: Race, Camp and Transnational Stardom, by Kathryn Bishop-Sanchez
Maria Fantinato

Just Vibrations: The Purpose of Sounding Good, by William Cheng
Lauron Kehrer

Country Boys and Redneck Women: New Essays in Gender and Country Music, edited by Diane Pecknold and Kristine M. McCusker
Stephanie Vander Wel