Volume 30, Numbers 3 & 4 Read it on Project MUSE Read it on JSTOR
Special Section: Water Guest Editors Christina Boyles and Hilary E. Wyss
From the Editors
Water Is Life: Ecologies of Writing and Indigeneity
Christina Boyles and Hilary E. Wyss
Writing Water, Writing Life: Silko as Environmental Activist
Christina Boyles
Water, History, and Sovereignty in Simon J. Ortiz’s “Our Homeland, a National Sacrifice Area”
Robin Riley Fast
Intervening in the Archive: Women-Water Alliances, Narrative Agency, and Reconstructing Indigenous Space in Deborah Miranda’s
Bad Indians: A Tribal Memoir Shanae Aurora Martinez
Mnisose / the Missouri River: A Comparative Literary Analysis of River Stories from the Lewis and Clark Expedition to the #NoDAPL Movement
Sarah Hernandez
Articles Straight Talk: Two Spirit Erasure as the Price of Sovereignty in James Welch’s
The Heartsong of Charging Elk Lydia R. Cooper
“I Got This AB Original Soul / I Got This AB Original Flow”: Frank Waln, the Postmasculindian, and Hip Hop as Survivance
Sarah Kent
“This Story Needs a Witness”: The Imbrication of Witnessing, Storytelling, and Resilience in Lee Maracle’s
Celia’s Song Laura J. Beard
Revitalization Strategies in Gaspar Pedro González’s
A Mayan Life Reginald Dyck
Book Reviews Molly McGlennen.
Creative Alliances: The Transnational Designs of Indigenous Women’s Poetry Kenzie Allen
Elizabeth Kryder-Reid.
California Mission Landscapes: Race, Memory, and the Politics of Heritage Shanae Aurora Martinez
Heid E. Erdrich.
Curator of Ephemera at the New Museum for Archaic Media Molly McGlennen
