Volume 23 (2019)
Contents writing rationally after rape: experiencing knowledge production in an academic music context
Claire McGinn
Acoustic Patriarchy: Hearing Gender Violence in Mexico City’s Public Spaces
Anthony W. Rasmussen
Episode 8 Laura R. Schwartz
Women of, for, and at the Wall: A Performative Analysis of Gender Politics at the Western Wall in Jerusalem
Tanya Sermer
The Voice Atefeh Einali
Music as Mission: Hierarchies of Sound and Difference
Lauren Eldridge Stewart
(mis)gendering Sandow Isha Sinai
A Queer Organology of the Pedal Harp
Henry Spiller
“Chris & Gabe”
Gerald Gurss
“Da uomo”: Querying Gender and Sexuality in Mozart’s
La clemenza di Tito Ilana Walder-Biesanz
Eye o da Hurricane for string quartet (2017)
Angela Elizabeth Slater
Not Playing Properly: Amateurism as Generic Choice in Three Postpunk Case Studies: The Slits, Lora Logic, and the Raincoats
Mimi Haddon
Contrapartes Ivonne Hernández
“Near to Reality, but Not Quite”: Lena Ashwell’s Concerts at the Front during the First World War
Vanessa Williams
ReviewsThe Great Woman Singer: Gender and Voice in Puerto Rican Music, by Licia Fiol-Matta
Jessica C. Hajek
Libby Larsen: Composing an American Life, by Denise Von Glahn
Nomi Epstein
