Volume 35 (2019) read on Project MUSE | read on JSTOR
Acknowledgments
Editors’ Introduction
The Backfischroman as Bildungsroman: German Novels for Girls, 1863–1913
Jennifer Redmann
Enfreakment: Disability as Narrative Spectacle in Theodor Storm’s “Eine Malerarbeit” and Marie von Ebner-Eschenbach’s “Die arme Kleine”
Anna-Rebecca Nowicki
Female Sexuality and Corporeal Agency in Christian Schad’s Zwei Mädchen
Esther K. Bauer
Rape Culture and Dialectical Montage: A Radical Reframing of Menschen am Sonntag (1930)
Carrie Collenberg-Gonzalez
The Right to Debilitate: The Workings of Global Capitalism and the Precaritization of Subjects in Die wundersame Welt der Waschkraft
Simone Pfleger
Book Reviews
Karin Bauer and Jennifer Ruth Hosek, editors. Cultural Topographies of the New Berlin
Lars Richter
Sandra Boihmane. Malina—Versteck der Sprache: Die Chiffre “Malina” in Ingeborg Bachmanns Werk und in Zeugnissen von Zeitzeuginnen
Ewa Siwak
Julia Erhart. Gendering History on Screen: Women Filmmakers and Historical Films
Julie K. Allen
Ela Gezen. Brecht, Turkish Theater, and Turkish-German Literature: Reception, Adaptation, and Innovation after 1960
Britta Kallin
Maura E. Hametz and Heidi Schlipphacke, editors. Sissi’s World: The Empress Elisabeth in Memory and Myth
Julie K. Allen
Katharina von Hammerstein, Barbara Kosta, and Julie Shoults, editors. Women Writing War: From German Colonialism through World War I
Denise M. Della Rossa
Sonja E. Klocke and Jennifer R. Hosek, editors. Christa Wolf: A Companion
Susanne Rinner
Priscilla Layne. White Rebels in Black: German Appropriation of Black Popular Culture
Nicole Coleman
Kerry Wallach. Passing Illusions: Jewish Visibility in Weimar Germany
Rick McCormick
Margrit V. Zinggeler. Swiss Maid: The Untold Story of Women’s Contributions to Switzerland’s Success
Carola Daffner
Women in German Prize Winners (2018)
Submissions