Volume 41, No. 1 (2020)
Read it on Project MUSE
Read it on JSTOR Editors’ Note
Cindy Cruz, Wanda S. Pillow, and Kimberly M. Jew
Guest Editors’ Introduction
Wanda Alarcón, Dalida María Benfield, Annie Isabel Fukushima, and Marcelle Maese
Your Lips: Mapping Afro-Boricua Feminist Becomings
Yomaira C. Figueroa
Decolonial Feminism as Reflexive Praxis: Lugones’s “World”-Travelling as Stories of Friendship in Academia
Jesica Siham Fernández, Kara Hisatake, and Angela Nguyen
A Decolonial Feminist Epistemology of the Bed: A Compendium Incomplete of Sick and Disabled Queer Brown Femme Bodies of Knowledge
Tala Khanmalek and Heidi Andrea Restrepo Rhodes
I Love You
Tamara Al-Mashouk
Zapateado Rebelde in “Somos Sur”: A Feminist Performance of Transnational Women of Color Border Artivism
Leslie Quintanilla
On Digital Decolonization: A Conversation with Morehshin Allahyari
Abdullah Qureshi
“World”-Travelling and Transnational Feminist Praxis in
Women Who Blow on Knots Şule Akdoğan
Tantear Practices in Popular Education: Reaching for Each Other in the Dark
Linnea Beckett
Lugones, Munóz, and the Radical Potential of (Dis)identificatory Feminist Love for “World”-Making Beyond the Academe
Andrea N. Baldwin
“Pedagogies of the Broken-Hearted”: Notes on a Pedagogy of Breakage, Women of Color Feminist Decolonial Movidas, and Armed Love in the Classroom/Academy
Anne (Anna) Ríos-Rojas
Decolonizing Identity in Performance: Claiming My Mother Tongue in
Suppression of Absence Serap Erincin
“World”-Travelling the Gloria Evangelina Anzaldúa Papers: Zooming the Cracks between Worlds
C. Alejandra Elenes
Artist Statement:
The Electrics Linda Vallejo
