Volume 36, No. 2 (Fall/Winter 2020)
Contents Acknowledgments
Editors’ Introduction
Goethe’s Stalker Snails
Barbara N. Nagel
Henriette Kraze’s
Heim Neuland (1908) and the Idealized Nonviolent Colonial Community
Imke Brust
Seduced by Poetry, Sickened by Mass Spectacle: Julia Franck’s Gendered Portrait of Weimar Berlin in
Die Mittagsfrau (2007)
Jill Suzanne Smith
“The Friendship of Our Distant Relations”: Feminism and Animal Families in Marlen Haushofer’s
Die Wand (1963)
Anna Richards
Book Reviews Kristy R. Boney and Jennifer Marston William, editors.
Dimensions of Storytelling in German Literature and Film
