Volume 25 (2021)
Contents Letter from the Editor in Chief
Emily Wilbourne
Transcription of Anonymous, “Si el hado cruel y fiero”
Cesar D. Favila
Playing Together: Gender Roles and Transformative Displays in the Christmas Bands Movement in Cape Town, South Africa
Sylvia Bruinders
Housework Lock (her) Down Jocelyn Ho and Margaret Schedel
Survivors’ Songs in Opera: What the Vulnerable Voice Can Do
Olivia Bloechl
Expected Face Katherine Young
Black Women Rap Battles: A Textual Analysis of U.S. Rap Diss Songs
Tia Tyree and Melvin Williams
“Mirrors”
Maria Mannone
Sonic Femininity: The Ronettes’ Transgressive Gender Performance
Hilarie Ashton
Curating Koreanness: Musical Activities of Elite Korean Women in Hawaiʻi during the Japanese Colonial Period, 1910–1945
Heeyoung Choi
A Green Jaded Winter Christine Pan
The
Valise Correspondence: A Reconsideration of Nadia and Lili Boulanger, Composers
Kimberly Francis
“Ant Queen Aria”
Anna Lindemann
Turning the Madwoman Upside Down: Altisidora’s Transgressions in
The Comical History of Don Quixote Paula Maust
ReviewSara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin, edited by Rebecca Cypess and Nancy Sinkoff
Deirdre Loughridge
