Women and Music 25:1

Women and Music 25:1

Edited by Lisa Barg, Kimberly White, and Vanessa Blais-Tremblay

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Table Of Contents

Volume 25 (2021)

Contents


Letter from the Editor in Chief
Emily Wilbourne

Transcription of Anonymous, “Si el hado cruel y fiero”
Cesar D. Favila

Playing Together: Gender Roles and Transformative Displays in the Christmas Bands Movement in Cape Town, South Africa
Sylvia Bruinders

Housework Lock (her) Down
Jocelyn Ho and Margaret Schedel

Survivors’ Songs in Opera: What the Vulnerable Voice Can Do
Olivia Bloechl

Expected Face
Katherine Young

Black Women Rap Battles: A Textual Analysis of U.S. Rap Diss Songs
Tia Tyree and Melvin Williams

“Mirrors”
Maria Mannone

Sonic Femininity: The Ronettes’ Transgressive Gender Performance
Hilarie Ashton

Curating Koreanness: Musical Activities of Elite Korean Women in Hawaiʻi during the Japanese Colonial Period, 1910–1945
Heeyoung Choi

A Green Jaded Winter
Christine Pan

The Valise Correspondence: A Reconsideration of Nadia and Lili Boulanger, Composers
Kimberly Francis

“Ant Queen Aria”
Anna Lindemann

Turning the Madwoman Upside Down: Altisidora’s Transgressions in The Comical History of Don Quixote
Paula Maust

Review
Sara Levy’s World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin, edited by Rebecca Cypess and Nancy Sinkoff
Deirdre Loughridge