Volume 38, Number 1 (Spring/Summer 2022)
Contents
The Singular Plural of Feminist Film Practice
Guest-edited by Angelica Fenner and Barbara Mennel
Acknowledgments
Editors’ Introductiom
Introduction: The Singular Plural of Feminist Film Practice
Angelica Fenner and Barbara Mennel
Activating the Archive: Feminism and German Women’s Film Heritage, 2010–2020
Erica Carter
Feminist Filmmaking before Feminism: An Interview with Ula Stöckl
Angelica Fenner and Hester Baer
Embodiment, Agency, and Ethics in Margarethe von Trotta’s Cinema: From
Rosa Luxemburg (1986) to
Hannah Arendt (2012)
Claudia Breger
Home, History, and Memory: Spatial Explorations in Recha Jungmann’s
Etwas tut weh (1979/1980) and Sandra Wollner’s
Das unmögliche Bild (2016)
Annette Brauerhoch
Refracting the Gaze: A Conversation with Ines Johnson-Spain on
Becoming Black (2019)
Angelica Fenner
The Ethics of Difference: Masculinity and Foreignness in Maren Ade’s
Toni Erdmann (2016) and Valeska Grisebach’s
Western (2017)
Gozde Naiboglu
A Gendered Suspension of Time: Waiting in the Cinema of Angela Schanelec
Olivia Landry
Shoes, Drunk Women, and Phallic Girls: Tatjana Turanskyj’s Feminist Interventions in German Cinema
Alice Bardan
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