Women and Music 27:1

Women and Music 27:1

Edited by Lisa Barg, Kimberly White, and Vanessa Blais-Tremblay
Guest editors Terri Lyne Carrington, Aja Burrell Wood, and Tracy McMullen

Table Of Contents

Volume 27 (2023)


Letter from the Guest Editors
Terri Lyne Carrington, Aja Burrell Wood, and Trac y McMullen

Keynote Talk at Berklee Institute of Jazz and Gender Justice: October 30, 2018
Farah Jasmine Griffin

Cornerstone Conversation with Berklee Institute of Jazz and Gender Justice Advisory Board: June 9, 2021
Angela Y. Davis, Farah Jasmine Griffin, Carrie Mae Weems, and Gina Dent; moderator, Romi Crawford; respondent, Nichole Rustin

The College Jazz Program as Tradition Making: Establishing a New Lineage in Jazz
Tracy McMullen

(Re)Imagining Jazz Education through the Lens of Black Feminist Pedagogy
Paula Grissom Broughton

Fireside Chat with Special Guests: Berklee Institute of Jazz and Gender Justice
Introduction by Robin D. G. Kelley

Lessons in Black Women’s Laughter: A Play-Essay on Parisian Jazz Journeys
Rashida K. Braggs

How Do We Sound? How Do We Listen?
Sherrie Tucker

Jazz Organizations, Gender Disparities, and the Stereotyping of Black Women
Jordannah Elizabeth

Missing Maestra: Meshell Ndegeocello’s We Insist!
Shana L. Redmond with Robeson C. Haley-Redmond

New Standards: 101 Lead Sheets by Women Composers, by Terri Lyne Carrington, ed.
Caity Gyorgy

Unlikely Angel: The Songs of Dolly Parton, by Lydia R. Hamessley
Annie Janeiro Randall

From Kitchen to Carnegie Hall: Ethel Stark and the Montreal Women’s Symphony Orchestra, by Maria Noriega Rachwal
Corinne Cardinal

Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound, by Daphne A. Brooks
Shanice Wolters

Wild Sound: Maryanne Amacher and the Tenses of Audible Life, by Amy Cimini
Elizabeth Frickey