Volume 28 (2024)
Contents
Letter from the Editors
Lisa Barg, Vanessa Blais-Tremblay, and Kimberly White
Indigenous Women’s Empowerment, Memorialization, Resistance through Music: The Strong Woman’s Song
Anna Hoefnagels
The Remarkable Jenny Cameron: Song and the Rebellious Scotswomen of the 1745 Jacobite Rising
Rachel Bani
Music for the Weaker Sex: Gender as an Organizing Principle in Postwar Mood Albums
Jennifer Messelink
Giving Voice to Hildegard Jone as Anton Webern’s Artistic Muse
Catherine Nolan
Girl Group Lament: The Shangri-Las, the Supremes, and Racial Melancholy
Codee Spinner
Folkie Madonnas and Founding Fathers: Women and Authenticity in 1960s–1970s Folk Rock
Matthew Bannister
Cecilia’s Instrumental Reclaimed: A Woman’s Seat at the King of Instruments
Anna Steppler
Singing Her Own Song: Poems from an Organ Recital
Kate Blackwood, Taylor Daynes, and Anna Steppler
Embodying Eroica: Pregnancy and Performativity on the Podium
Anna Wittstruck
Reviews
Hearing Sexism: Gender in the Sound of Popular Music. A Feminist Approach, by LJ Müller
Daniele Shlomit Sofer
Clementi and the Woman at the Piano: Virtuosity and the Marketing of Music in Eighteenth-Century London, by Erin Helyard
Kathleen McGowan
For the Culture: Hip-Hop and the Fight for Social Justice, edited by Lakeyta M. Bonnette-Bailey and Adolphus G. Belk Jr.
Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance, by Lauron J. Kehrer
Myrtle D. Millares
